X is a letter, whose...comprises a performative practice as well as a series of sculptures, electronic sounds and installative gestures, revolving around the escapist power of fantasy. Through introverted and closed-off gestures that evoke states of withdrawal, it explores the double meaning of whistling and humming as both inward, self-performative sonic practices – something someone only does for oneself – and modes of communication. Like listening to the sonic imagination of someone whistling a tune, the work carries with it an imaginary song that seems to only exist as a deconstructed score beyond what is audible. The work seeks for music to be an ambivalent invitation to hallucinate about it. A space in which sounds appear both as themselves and as vessels for imagining other worlds, songs, characters and places.